We make hard-wearing, plastic cylinder records for use on Edison, Columbia and similar cylinder phonographs. We have a range of records in standard 2-minute , 4-minute , 6-inch long and 5-inch diameter Concert formats. These are suitable for playing on vintage machines with a steel needle. If you are unsure of which of our records will play on your phonograph; or of anything else to do with our products and services, visit our FAQ page. To see the most up-to-date list of our titles, please go to the Catalogue page. Or you can view, print or d ownload our easy-to-search PDF Catalogue. If you wish to have your own material recorded on cylinder please visit the Custom Work page to find out more. We offer our expertise and resources for television, radio and film work as well as for education and museum projects. Please contact us to discuss your needs.
A brief history of the turntable and vinyl records
There are also two other variations of each type which are available, but in every case Period Victrolas are made to order only. Today, when for the first time you have brought a Victrola into your home, we wish it were possible to show you how much this, the most versatile and so the most satisfying musical instrument in all the world, can be made to entertain, to console and to inspire.
Victor records represent a moment of inspired achievement in the life of some great artist.
Vinyl records replaced the rubber discs produced by Berliner. These records were much easier to mass produce and their master copies could easily be copied by Victrola 50’s Retro 3-Speed Bluetooth Turntable Review.
Part 3, covering the Brunswick-era issues, obviously is a much longer-range project. As with all titles in the Library, Mainspring Press holds the exclusive publication and distribution rights to this work in all forms, print or digital.
AN ANTIQUE EXHIBIT THAT SINGS
Vinyl reissue of collection of demos written and recorded at Polly Harvey’s home in It includes eight demos of songs from the albu Reissue on vinyl of the first PJ Harvey studio album in the Island Records catalog, and her second studio album. Produced by Steve Albini and ori
Paul Edie talks about collecting antique Victor Victrola phonographs, including And in fact, most phonograph collectors don’t collect records. I have a very large collection of records dating from into the early ‘s.
In the case of antique phonographs, I politely demur — sadly shaking my head and lamenting that there are scores of different models, and condition is all-important. Plus, there are many, many phony phonographs out there, put together by basement handymen or by Asian factories. What then can someone expect to find when searching for real antique phonographs? Here is sampling of common and rare machines that collectors look for. This is an early version with a flat crank.
Later versions used a rod-type crank. The Victrola XII is therefore a rare and sought after machine. The Victrola XI Eleven was the largest seller and is commonly found today. Victrolas are usually found in mahogany finish; occasionally in oak. A larger model such as this XVI is rarely seen with an oak finish. Pictured here is a C in rather uncommon oak. Like Victrolas, Edison Disc Phonographs were usually ordered in mahogany.
After , the 3 principal Amberola models would be the 30, 50, and 75 — all commonly found today. This one dates from , and is rarely found.
Keep all your vinyl records and albums looking as good as the day you got them by placing them inside the Victrola Vinyl Record Storage Case. Designed to protect your favorite records from dust, scratches, and scuffs, this storage case features heavy duty hardware, corner guards and hinges to ensure your records can continue outputting their highest quality sound. Plenty of space inside allows you safely to store over 30 of your favorite 33’s, 45’s and 78’s and a compact overall design allows you to save space in your home and stay organized.
Furthermore, the earliest machines have incomplete factory records. When this is the case, dating a phonograph accurately can be possible with some educated.
Your question may be answered by sellers, manufacturers, or customers who purchased this item, who are all part of the Amazon community. Please make sure that you’ve entered a valid question. You can edit your question or post anyway. Please enter a question. Store your vinyl records in style with the Victrola Vinyl Record Case. Keeps your records dust-free and scratch-free and fully protected with heavy-duty hardware, corner guards and hinges.
Six Victrola Records from the Trenches
The band formed in Messina, but later relocated to Florence to join the rich musical scene there with Neon, Pankow, Alexander Robotnick and Diaframma. Beginning as a 4-piece combo two guitarists, bassist, drummer in , they slimmed down to a synthesizer and guitar-based duo a few years later. Oblique minor-key bass lines provide an anchor while snappy, brittle rhythms propel the track along. The lyrics tell the story of Tatami, a boy from a fishing town who yearns for a new life in the big city.
Find the perfect victrola stock photo. Victrola gramophone from played 78 rpm records with one song per side. Date:
The company was founded by engineer Eldridge R. Johnson , who had been manufacturing gramophones for inventor Emile Berliner , to play his disc records. The Victor Talking Machine Co. Victor had acquired the Pan-American rights to use the now famous trademark of the fox terrier Nipper quizzically listening to a gramophone when Berliner and Johnson affiliated their fledgling companies.
See also His Master’s Voice. The original painting was an oil on canvas by Francis Barraud in Barraud’s deceased brother, a London photographer, willed him his estate including his DC-powered Edison-Bell cylinder phonograph with a case of cylinders and his dog Nipper. Barraud’s original painting depicts Nipper staring intently into the horn of an Edison-Bell while both sit on a polished wooden surface.
The horn on the Edison-Bell machine was black and after a failed attempt at selling the painting to a cylinder record supplier of Edison Phonographs in the UK, a friend of Barraud’s suggested that the painting could be brightened up and possibly made more marketable by substituting one of the brass-belled horns on display in the window at the new gramophone shop on Maiden Lane. Barraud paid a visit with a photograph of the painting and asked to borrow a horn.
Owen gave Barraud an entire gramophone and asked him to paint it into the picture, offering to buy the result. On close inspection, the original painting still shows the contours of the Edison-Bell phonograph beneath the paint of the gramophone. In , the “His Master’s Voice” logo was rendered in immense circular leaded-glass windows in the tower of the Victrola cabinet building at Victor’s headquarters in Camden, New Jersey.
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Victrola Record Player, Retro Record Player, Record. Saved from In this section you will find pictures of Columbia, Victor and Edison phonographs dating from.
The Victor-Victrola Page. As an overview of phonograph records:. There were many types of phonograph records produced by the millions from before up until the present. These took-on many different appearances and designs, but in general:. Invented in by Thomas Edison and produced up until the late ‘s; the cylinder recording was the first commercial medium for recorded sound.
See picture on lower right. Note that there some disc recordings which operate at rotational speeds from 60 to 80 RPM, but 78 RPM became the ‘standard’ by the ‘s. There were several variants see pictures below :. Early Rubber-Based Discs: these were typically small 7″ single-sided records used on the earliest phonographs. Extremely fragile, and typically with high surface noise. Shellac Discs: made from the late ‘s through the mid’s, these records could often be played on both sides, and ranged in diameter from 7″ up to 14″ or larger.
These are also brittle and can be easily broken, but sound quality improved significantly after when electrical recording methods were introduced. These records had an improved sound quality and less surface noise than their shellac predecessors, and were considerably less fragile.
McDermott Record collection (rppc_mcdermott)
A wooden Edison talking machine foreground , which plays celluloid cylinders, is among Kinney Rorrer’s collection of vintage record players. He also collects thousands of 78 rpm records. Some have wooden horns and others have metal horns.
VICTROLA/Maritime Tatami/DARK ENTRIES – London’s leading Vinyl Records Specialist based in Soho, London W1.
The name ‘Victrola’ was the trademark for early console phonographs with enclosed horns first marketed by the Victor Talking Machine Company in The ‘Victrola’ trademark also appeared on most Red Seal records rather than ‘Victor’ issued in the US from around until , then from until early Many early reissues on the RCA Victrola label included recordings from the historic RCA Victor “Living Stereo” series first released in , using triple channel stereophonic tapes recorded as early as There were also some first stereo issues of recordings that had previously been available only in monophonic versions.
For several years, Victrola released both stereo and mono versions of many albums, many of them in “reprocessed” fake stereo. In , to celebrate the th anniversary of the birth of Italian conductor Arturo Toscanini , Victrola began an ambitious project of reissuing most of Toscanini’s approved recordings with the NBC Symphony Orchestra , mostly from the s and early s. The album covers featured several of the famous striking photographs taken by Robert Hupka of Toscanini in rehearsal.
Toscanini’s highly acclaimed recording of Beethoven ‘s Seventh Symphony with the New York Philharmonic Orchestra was also reissued on the Victrola label. Initially, only the original mono versions were issued, as most of Toscanini’s recordings were made before the advent of stereo. Then, in an attempt to satisfy fans of stereo, a number of “reprocessed” or “electronic” stereo versions were issued; generally, these were less than satisfactory because the tapes seldom had high enough fidelity to justify the separation of highs and lows, changes in equalization for each channel, or use of out-of-phase effects; however, there were a few exceptions where the process enhanced or actually improved the original mono recordings.